Shyamalan wants to be the metaphysical poet of movies, but he's dangerously close to becoming its O. Henry.. Individual sequences generate an eerie tension that's always deflated, creating a jarring stop-and-go rhythm, and the atmospheric trickery never strays beyond a lot of smoke and mirrors.. One of the most effective movies so far at capturing a jittery nation's case of the yips.. Shyamalan's by-now trademark spookiness is starting to play like a CD consciously designed to duplicate the succ...
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