A smart, suspenseful sci-fi movie from director Twohy, whose underrated 1996 film, The Arrival, also brought visual imagination and intelligence to the genre.. It's taxing to watch, and Green moves between scenes with Malick-inspired ellipses, frustrating momentum.. Pitch Black is so jaunty, so limber, and so visually self-assured that art peeks through where crap has traditionally made its home.. Though it's never transformational, it's mostly amusing. Which counts!. In the movie's last hour, w...
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